The Brass Performance program prepares students with the training and background to succeed as a professional musicians. Students learn from master teachers who can be seen and heard on some of the greatest stages in the world. Our students graduate with comprehensive musicianship skills, performance capability, analytic abilities and stylistic knowledge.
Location:
Chicago
Start Term:
Fall, Spring
Program Type:
Major, Master's, Diploma
Orchestral instrument students collectively make up the largest, most culturally diverse group in the Music Conservatory. These students model the character and traditions of Roosevelt University, working together daily toward common musical goals in small and large ensembles while still maintaining their individual artistic voices.
For students who are looking for an intensive music conservatory experience paired with the rich musical and cultural experiences provided by living in a major city, the CCPA Brass Program will prepare help prepare students for a successful career in music. CCPA's emphasis on entrepreneurial activities also prepares students for multiple career opportunities after graduation.
What Differentiates Us
FACULTY
CCPA's brass faculty includes some of the most legendary brass players in the world alongside some of the busiest players in the city of Chicago! In addition to private lessons, students work with our faculty in chamber music, brass ensemble, and reading sessions.
LOCATION
For students who are looking for an intensive music conservatory experience paired with the rich musical and cultural experiences provided by living in a major city, CCPA will prepare help prepare students for a successful career in music. CCPA's emphasis on entrepreneurial activities also prepares students for multiple career opportunities after graduation.
Expectations & Requirements
Standards
Curriculum includes:
- Private lessons
- Small and Large Ensembles
- Studio Classes
- Brass Area Classes
- Guest Master Classes
- Brass Recitals
Outcomes
Grads of CCPA's Brass Program
More Opportunities
Performance Opportunities
All brass students perform in Symphony Orchestra, Wind Ensemble, Brass Ensemble, Opera, Chamber Music, and in regularly scheduled brass area performance classes.
Faculty
Testimonials
CCPA's brass faculty includes some of the most legendary brass players in the world alongside some of the busiest players in the city of Chicago! In addition to private lessons, students work with our faculty in chamber music, brass ensemble, and reading sessions. Our goal is to train outstanding performers so our priority is to offer numerous performance opportunities throughout the year.
Charles Schuchat
Head of Brass Program & Artist Faculty, Tuba, Roosevelt University
From the time I started playing trombone at the age of eleven, I had the idea of someday studying in Chicago. It is a city that has over the years gained recognition as being at the center of the brass universe. I researched carefully to know which schools could provide me what I was looking for and I discovered that Roosevelt University was the perfect place for me. In addition to a variety of academic programs designed perfectly for each student, it also has a world-class team of faculty who are absolutely committed to their students. I am enormously happy to have Roosevelt University as my Alma Mater.
Ignacio del Rey Tomas Biosca
MM - 2016, Diploma in Orchestral Studies - 2018,
Admission Info
BRASS AUDITION REQUIREMENTS
HORN
- Undergraduate (BM): Two contrasting selections from standard horn repertoire; standard orchestral excerpts.
- Graduate (MM): Solos of the candidate’s choice from standard horn repertoire. Orchestral Studies applicants must also present at least five orchestral excerpt.
- Performance Diploma: Three major works, including a complete sonata or concerto. At least two stylistic periods must be represented.
- Professional Diploma in Orchestral Studies: Five standard excerpts of the applicant’s choice; one etude; a complete sonata or concerto.
TENOR TROMBONE
- Undergraduate (BM): One Rochut Melodious Etude; either Morceau Symphonique by Guilmant, Concertino by David, or a work of similar difficulty.
- Graduate (MM): One Rochut Etude; one intermediate or advanced technical etude; two contrasting works by Bozza, Hindemith, Corelli, or Wagenseil. Orchestral Studies applicants must also present at least five standard excerpts.
BASS TROMBONE
- Undergraduate (BM): One Rochut Melodious Etude; two solo works in contrasting styles.
- Graduate (MM): One Rochut Melodious Etude; one advanced level Etude by Tommy Pederson; two solo works of contrasting styles. Orchestral Studies applicants must also present at least five standard excerpts.
- Performance Diploma: Three major works, including a complete sonata or concerto. At least two stylistic periods must be represented.
- Professional Diploma in Orchestral Studies: Five standard excerpts of the applicant’s choice; one etude; a complete sonata or concerto.
TRUMPET
- Undergraduate:
- J. Hubeau - Sonata (1st mov)
- J. N. Hummel - Concerto in Eb (1st mov)
- J. B. Arban - Characteristic Etude Nr. 1
- Graduate (MM - Performance):
- A. Honegger - Intrada (intro)
- J. Haydn - Concerto in Eb (1st mov)
- T. Charlier - Etude Nr. 4
- Graduate (MM - Orchestral Studies)
- A. Honegger - Intrada (intro)
- J. Haydn - Concerto in Eb (1st mov)
- Leonore nr. 3, Pictures (Promenade), Mahler 5th (intro), Pines of Rome (offstage), Bartok Concerto (2nd & 5th mov, 2nd tpt)
- Performance Diploma
- O. Böhme - Concerto (1st mov)
- J. Haydn - Concerto in Eb (1st mov)
- A. Jolivet - Concertino (beginning until number 19)
- Professional Diploma in Orchestral Studies
- J. Haydn - Concerto in Eb (1st mov)
- H. Tomasi - Concerto (1st mov)
- Petrouchka (Solo and ballerina), Mahler 3rd (posthorn), Mahler 5th (intro), Messiah (Trumpet Shall Sound), Ravel Pno. Concerto (1st mov)
TUBA
- Undergraduate (BM): An etude (suggested composers: Kopprasch, Blazevich, Gallay); a solo such as Suite for Tuba by Haddad, Air & Bourèe by Bach, or similar.
- Graduate (MM): A complete concerto by Mozart or Strauss, or a work of similar difficulty. Orchestral Studies applicants must also present at least five standard excerpts.
- Performance Diploma: Three major works, including a complete sonata or concerto. At least two stylistic periods must be represented.
- Professional Diploma in Orchestral Studies: Five standard excerpts of the applicant’s choice; one etude; a complete sonata or concerto.