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Master's in Voice (MM)

The CCPA voice program provides a nurturing environment to develop young artists, led by world-class artist-teachers. All students in our program study privately with their applied teacher for the duration of their degree program, and starting in the sophomore year also have a weekly private lesson with our vocal coaches.


Location: Chicago
Start Term: Fall, Spring
Program Type: Master's

Faculty members employ a collaborative and collegial teaching approach to each student's development, cultivating sound technique and vocal health. Our graduate students enjoy weekly performance classes, which coupled with opera productions and recitals offer many performance opportunities for each student. Our faculty also teaches courses, masterclasses, and seminars specific to the business of the performing arts career, adding professional development to the singer’s stellar technical and musical preparation.

Expectations & Requirements

Standards

  • Weekly lessons
  • Private weekly vocal coaching
  • Emphasis on technique, musicality and the professional business of being a singer

More Opportunities

Clubs & Activities

  • Weekly performance classes
  • OperaFest (festival of operas that provides all graduate students with opportunities to perform)
  • Opera with Orchestra (cast with the entire graduate program)
  • Regular masterclasses with renowned artists

Faculty

In addition to the individuals pictured below, Roosevelt’s professional artist faculty in the voice program includes Dana Brown, Cynthia Clarey, Andrew Eggert, Scott Gilmore, Bruce Hall, Jonita Lattimore, Isabel Leonard, Kurt Link and Shannon McGinnis who work with our voice and opera students in the areas of opera production, diction, and vocal coaching Additional information for these faculty will be available soon.

Testimonials

"The voice faculty at CCPA comprises passionate teachers and performers who have been heard on the world's greatest opera stages. Students in the voice program will enhance their musicianship by learning and developing performance skills while also learning pedagogical techniques for teaching students. Plus, if you are a student at CCPA you will get to live in the heart of Chicago, which is one of the most culturally and artistically diverse cities in the world."

Judith Haddon
Head of Voice Program and Professor of Voice, Roosevelt University
Admission

Classical Voice Audition Requirements

Applicants who are interested in Musical Theatre should apply through the Theatre Conservatory.

All Classical Voice auditions must be accompanied by a pianist. The CCPA Enrollment Office will provide an accompanist for all auditions in Chicago, although applicants may bring their own (except Opera Diploma auditions). Accompanists will NOT be provided at regional auditions in the US or Asia. All voice applicants auditioning regionally must provide and pay for their own accompanist. 

All repertoire is to be performed from memory. No pre-screening recordings are required for undergraduate or masters level auditions.

Freshman (BM): The applicant should sing three (3) appropriate pieces from the classical Italian, English or American repertoire; French or German songs are acceptable if the student has proficiency. Applicants should not attempt songs or arias of a difficulty beyond his/her years of vocal ability. Repertoire that will demonstrate the quality and potential of the voice should be presented.

Sophomore (BM): Three pieces: a song in English; an old Italian art song; and a German lied, French chanson, or aria.

Junior/Senior (BM) or Graduate (MM): Four Pieces: Two chansons or two lieder, or one of each; a song by an English or American composer; and an opera, concert or oratorio aria.

Opera Diploma: Please visit the Opera Diploma program page for pre-screening, application, and audition information.

Learn more about CCPA admission